XIAOMIN LI

@NoPlug Lab



ABOUT ME

Hi,i am XIAOMIN, a lecturer at Shenzhen Technology University.
My research focuses on the intersection of art and technology, particularly natural interaction, sensory experience, and digital media art. I have led several collaboration projects and artworks in the Netherlands, Singapore, and Shenzhen. I aim to further explore human-machine relations and future expressions of digital art.


CONTACT
lixiaomin@sztu.edu.cn
+86 13823106713

CV 







Education
Delft University of Technology (TU Delft)
Design for Interaction
2019-2022

Jiangnan University
Interaction Design
2017-2019


Employment Chinese University of Hongkong,Shenzhen
Interaction Designer-Information Technology Department
(2020 - 2023)

Shenzhen Technology University
Lecturer
(2023-now)


Skills
Touchdesigner
Adobe Illustration
Adobe Photoshop
After Effect
Figma
Arduino
Blender


Exhibitions
(upcoming)
Dutch Design Week
Netherlands
2025/10

(upcoming)
Bi-City Biennale of Urbanism/Architecture
Shenzhen
2025/11

DigitalArchipelagosPingshan Art Museum,Shenzhen,Guangdong
2025/07

D# Residency Exhibition
Southern University of Science and Technology,Shenzhen,Guangdong
2025/05

Shenzhen Youth Art Exhibition
Shenzhen Art Museum,Guangdong
2024/11

Centering the Center
Singapore Art School
2024/08

UN/paralledled
Creativity & Innovation Center,Shenzhen
2024/05





Last Updated 24.10.31

Portfolio

Art Projects
Design Practices





1. SPECTRUM

/Interactive Installation
/Audio Detection
/Artificial Intelligent
/Robotic Arms
/Magnetic Powder


is an immersive dynamic installation exploring cross-dimensional communication between future beings and humans. By interacting with the work, the audience activates the NOEMA system—a visualized language of consciousness—to receive unique responses. These symbols transcend linguistic logic, constructing a new form of exchange beyond human frameworks and prompting reflection on future life forms and the evolution of consciousness.


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2. RESONANCE

/EEG Technology
/Kinectic Installation
/Cross-discipline Media Performance

is based on EEG technology, using a head-mounted device to collect participants’ brainwave signals—such as attention levels and emotional fluctuations—and converting them in real time into digital instructions that drive mechanical movement. These invisible cognitive activities are thus transformed into visible, dynamic mechanical behaviors. 

Inspired by bionic organisms, the form of the installation draws on imagined post-human mechanical lifeforms, with its mechanical tentacles exhibiting lifelike movement that blurs the line between the organic and the artificial.


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3. ECHOES IN THE CRACKS

/Audio Visual
/Cross-discipline Media Performance

Collecting materials in the city is an exploration full of chance and uncertainty. This project begins with the percussionist Shi Yi’s sound, tracing its ephemeral path to reveal fleeting moments of coexistence between people and the city. Through the perception of “traces, collectives, and settlements,” sound and image resonate to form a symbiotic field across time and space.

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4. Test Project
Ian Hamilton Finlay, An Urn for Novalis
1997/98

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© xiaomin 2025